Posts Tagged ‘Life’

Skull 1

Apologies to all as it has been a while since my last post. Much has changed since I was last informing you of something irrelevant that I, at least found interesting. However I will save you the details at this time.

Back to the review, and the most recent exhibition to get me out of my four walls was Richard Haris’s ‘Death: A Self-Portrait’ at Euston’s Welcome Gallery.

The exhibition consists of around 300 pieces of art, sculpture, animation that is devoted to attitudes surrounding death and our complex & contradictory attitudes towards the theme.

The exhibition is divided into five categories:

Room 1 – Contemplating Death: The contemplation of morality and our views around it. Images of skulls combined with the theme of time are prominent in this room to reconcile us with morality and condemn morality
Room 2 – The Dance of Death: The universal certainty of death, regardless of social status. The world has periodically suffered war, famine and disease and death provides the ultimate leveler. Skeletons alongside humans highlight the frailty of man with dark humorous overtones prevailing.

Skel 2

Room 3 – Violent Death: The question this room asks is whether art can provide aesthetically pleasing work about violent death and the damage of war to body & souls. The pieces on show act as anti-war messages highlighting the damage caused.
Room 4 – Eros & Thanatos: This room questions people’s fascination with disturbing or morbid phenomena cannot be attributed to scientific curiosity. There is a strong connection with living subjects alongside skulls and skeletons.
Room 5 – Commemoration: Rituals associated with death, burial and mourning have transformed over centuries and across cultures. This room highlights the populist subject has integrated into modern culture and commercialism.

Skull2

Although a little macabre for most tastes, the exhibition is thought provoking and highlights how societies view on death and morality have become heavily desensitised. There is a dark humored undercurrent that ensures the exhibition flows from theme to theme and isn’t too morbid. Overall a great exhibition and well worth a few hours of your time.

Memento Mori

Advertisements

Brighton Graffiti

Posted: May 2, 2012 in Art, Graffiti
Tags: , , ,

During a weekend visit to Brighton I had to stop and take a few pics of amazing graffiti down a few side roads. I actually have to thank @teaandchocs who braved the rain to take them with her iPhone (while I was hiding under shelter).

A few pieces all close together (wish I had taken the road name down)

Who would have thought that Run DMC would make an appearance

Dark side of the Smurf’s

Plot Overview – Plot Spoiler

The comic begins with the necromancer executing his way through the Oliginistic army. Although these actions are expected by the reader, Monocyte reflects ‘Long Have I Sought This Gift’ ‘Death’… ‘You Are My Envy’. This is the first character development we have received.

Again confronted by 6 Olignistic soldiers, Monocyte uses their psyches as individual keys to enter their city. The Conduit is his target, Monocyte reveals his discontent for the Olignistics greed and mocks their very existence as ‘transient’. Upon reaching the chamber of the Conduit we also discover his previous knowledge of the Conduits fate, and ‘she’ who resides within it.

We are reintroduced to Grod who is residing on the wasteland between the two great cities, now nothing more than an open grave. This two page spread focuses on his bitterness of being removed from the Conduit and his human cattle. He reflects on his crest, his symbol of nobility. We also gain an insight into his current plight when he confesses to have wanted more than immortality, ‘a greater sway, greater prestige and greater power’. He curses his races arrogance as the Monocyte marches through his city with only the dead remaining. His disgust for the ‘Shepherd’ is again revealed blaming her for removing him and therefore salvation for their kin.’ The Shepherd has forsaken them all.

The Monocyte finally faces the Shepherd who presents the final hurdle between the Conduit and himself. The Shepherd recognises the Monocyte from past memory. She also speaks of how the previously brought the Conduit online, however he sees their fate as the same… both to end in death. The Shepherd knows it was Azrael who sent him to do Deaths bidding.

The story the progresses to the Antedeluvian City, to the throne of the Green Man: Donum Sancti. The Marquis De Seraphim informs the Green Man of the Monocytes destruction in the Olignistic city and the uncertainty of his intentions for their kin. Meanwhile, Moses has retreated into meditation solitude to summon ample defence against the one-eyed. We are then treated to an amazing full-page of the meditating Moses who delves into the one-eyed’s mindset and wish for death.

The Shepherd explains how she was there when the Conduit went online and how easy it was to deceive the humankind and how her position granted special privileges. She talks of how the Conduit can hear her words before denouncing her union with the Conduit over while anticipating what the Monocyte will do with it.

The Chamber of the Conduit – Shakespeare’s Hamlet is then quoted at the Monocyte approaches the Conduit, who is now begging for his existence. However, no mercy is shown. The Olignistics know their Conduit has fallen and their immortality finished. Only one has survived, Grod.

I must admit that like #1 this is a very intense book, and I must that I didn’t understand all of what was spoken and written. However the stunning artwork guides you through the story. Although complex and detailed, it effortlessness guides you through each scene. This comic demands high amounts of concentration and focus from the reader and that is its strength.

Like #1 we are also introduced to two short stories. First is by Alan Hubbard accompanied by Chris Newman’s art. I think it has to be read to be described, however it involves an immortal sacrificing human life’s.

Secondly is the amazing Ben Templesmith who provides his own artwork and story. If Monocyte was confusing, this takes it to a new level. The two pages consist of pig like humans rolling on their backs before being executed.

Cover 4/5 – The cover provides an excellent preview of what’s contained within the comic. Like #1 there is the chance of lazy Geiger/Alien comparisons, however whenever I see it in my pull list I automatically forget the other 19 being delivered.

Art 5/5 – I think the artwork manages to exceed the previous comic. The double page spread of Grod procrastinating, the naked woman on the door of the entrance to the Conduit, Moses in a levitational meditation, the Conduit itself… I could go on. I am now in the process of saving to actually purchase some of Menton3’s visually stunning work.

Story 4.5/5 – I think #2 continued how it was expected to, however the small character developments including glimpses into his history and his need for death change how the one-eyed is viewed. The text used in this comic is deliberately detailed to demand fine full attention of the reader. The only drawback is that by being a bi-monthly title I did have to re-read the first chapter to remember certain points. However, this is destined to be read as a trade in its entirety.

Two warring immortal races rule a scarred world where time has no meaning.

Death (Azrael) sits impotent, quietly planning his restoration. He summons Monocyte, a forgotten immortal necromancer who long ago chose sleep in his failed quest to die. With a fatal pact sealed, Monoctye strikes out as Azrael’s vicious proxy.

The Olignostics
A race of immortals who came together through the convergence of politics and technology. Their seminal moment was their development of absolute zero by a MIT scientist. They used their knowledge of technology to create an ‘immortality conduit’. Once the conduit was brought online, the Olignistic race was born.
Once able to flaunt their true nature publicly, they soon established a hyper controlled and harmonic social system for the remaining humans that subjugated them to feed the conduit. 
Not satisfied with this control they soon ravaged and destroyed social, political, financial, natural and other ecosystems, driving the world into a barren wasteland. Towards the end of their global pillage, the Antedeluvians resurfaced… and the great war began.

Antedeluvians
Have walked the earth since its beginnings. They are a secretive collective if individuals, bound together for a thirst of knowledge with an ancient code governing their activities.
Al Khidr, the Green Man, was the first immortal and the originator of their species. Legend speaks of him turning barren land into lush habitat, in having those deemed worthy transmitted to divine secrets so as to be filled by their own capacity towards confronting their divines.
For centuries, the Antedeluvians subsisted on withdrawing psychic energy from their unknowing prey. Through time individuals would leave the shadows and perform extraordinary achievements for no reason but play.
The near overnight formation and ascendancy of the Olignostics for the Green Man to reemerge ordering the Council to bring all Antedeluvians together, with a collection of humans to feed on. 

I can appreciate that is an intense introduction to a review, however the comic itself is very demanding and requires commitment from the reader, both in story and visually.

The two warring races have destroyed the earth though their eternal battles, and mankind are nothing more than food to both. Death releases the Monocyte to destroy both races and restore the land. A demon who is able to remove the immortal souls, tear the skin from bone and use as weapons as if they become part of him.

Grod is introduced as a dispossessed nobleman from the Olignostic city, forever bearing the mark of shame on his face. After losing two of his human slaves, he demands the ‘Shepherd’ provides two more, once humiliated by her denial he receives the same shame by the high council. 

Meanwhile, Grods brother Ryal is sent to battle the oncoming Monocyte, and in doing so becomes the first immortal to perish. Beatrice is sent to gather the humans before they flee and stands opposite the Monocyte. Both recognise each other and acknowledge so, although nothing more is mentioned at this time. The comic concludes with Monocyte standing tall new to fallen victims ‘Meet Me By Nature, Then Fall By The Same, Death Will Know Your Name’.

The detail in the bi-monthly 4 part series is outstanding, and is enhanced further by the two small additional stories included at the back of the comic. ‘Chronicles of the Shepherd’ is also written by Ghanbari and illustrated by Riley Rossmo and illustrates how the humans are farmed. ‘Chronicles of the Messenger’ is written and illustrated by David Stoupakis’, and tells of a young girl Beatrice taken to see a Doctor due to her ‘imagination’. Beatrice can see the immortals and understands the human role in their society. Although kept over night the final panel shows he in the described barren land alongside the adult Beatrice discussed in the main story.

Story 4/5 – I am a really fan of dark horror and this is one of the most intense and suffocating comics I have read. Each panel requires attention and commitment from the reader. Both Menton3 & Ghanbari have provided a bleak landscape,  with no heroes or characters to support. The Monocyte has no loyalty, only a mission and no past described. I am sure more will be discovered of this necromancers past, however it is refreshing reading a tale that doesn’t ‘spoon feed’ the reader too much to quickly. This was my favourite #1 issue of 2011.

Art 5/5 – It is easy to make a lazy H.R Geiger comparison with Menton3’s artwork however there is so much more to his creation. Each page is completely different, from  irregular panels to full page layouts. Each panel (let alone page) could be sold as artwork, the detail in the background takes must take more work than a lot of illustrators put into their main characters. Each read something new is noticed, a detail that was missed previously.

Cover 4/5 – I saw the cover in the appropriate months ‘Previews’, and that was encouraged me to look further. Much like the rest of the book, it’s only once you have a copy in your hands that you appreciate the detail that is involved. The only reason I didn’t give it a five, was that it opens the argument of H.R Geiger before people might actually give it a proper look.

The story opens with a letter being typed to the main character ‘Alice Blood’, warning her of the impending danger of her newly started website. Alice is warned ‘they are real’ and that if she really seeks them, she will be found. We are not provided any narrative on the sender other than she is based in a snowy climate.
The story then increases pace with a group of vampire ‘elders’, who are gathered and fast becoming impatient waiting for a group of younger breeds to arrive. When they arrive led by a weapon wielding ‘Jill’, their impact is immediate with the massacre of the elders.
The reader is finally introduced to Alice who is carrying a large amount of correspondence from her websites viewers. The website is called ‘Desperately Seeking Vampire’, and I think the title says it all. Alice is shown to be bright, strong and aware (at least she thinks she is) of the risks involved with a search like hers.
We then learn more about the vampire power struggle. Jill maybe leading the battle, however we are also introduced to ‘the father’ who’s plotting has led to these actions. He is not content with their species having to live in secret, he is aware of their superior position in the food chain and he wants to make sure they return to their rightful place on top. The last segment concludes with a human hanging from the ceiling, arteries cut providing the drink that they toast their plan over. This is the first sign of the fate that could be awaiting the human race if they succeed in their plans of dominance.
The comic closes with Alice meeting with Dean Ikos who claims to have seen a vampire. Although she is clearly distracted by his good looks, she hears his tale of surviving an attack with his Uncle as a child. He is aware of how the story may sound, and the lack of evidence didn’t help validate it, however it was the mention of Barrow, Alaska that regained her attention. Alice remembers the letter she received with the reference of Barrow, and verbally attacks Dean for wasting her time for his entertainment and leaves.
Although fuming, she still thinks he is ‘hot’ before turning back to speak to him. However, she can see a figure on the rooftops stalking Dean. We are introduced to our first attack and sees Dean being feasted upon by the stalking vampire. The final twist of the tale is that Alice is revealed as a FBI agent.

A really good start to a series I have been looking forward to in a while. Niles is known for being a master of this genre, and I think this will help enhance his reputation. A fangtastic 4/5

20120101-162432.jpg

I had originally intended my first Marvel review to be the new series ‘Magneto Not a Hero’, alongside Brian Azzarello’s Spaceman. However due to a postal issue and these not being sent in time, I will look at my only other Marvel comic, ‘Avenging Spider-Man’ alongside Dark Horses new horror comic ‘The Strain’.

I have never been a Marvel reader therefore I am not overly familiar with their characters other than Spider-Man and earlier X-Men,  and I have mixed feelings over the second release in this new series. I really like Joe Madureira’s  artwork & Ferran Daniel’s colouring, however the story hasn’t really caught my imagination.
Zeb Wells’s adventure continues with Spider-Man and Red Hulks battle under NYC for the rulership of Subterranea. Mayor of Manhattan J. Jonah Jameson has been kidnapped by the Moloids, however they are actually looking for help rather than meaning any harm. 
The danger lies with the new king of the underground RA’KTAR who challenges Jameson to a fight to the death. Meanwhile Red Hulk alongside Spider-Man get involved with the battle ending with fatal consequences for Hulk?
I am still unsure over this title, however I am keen to see which other Avengers also feature. Finally I am a real fan of the striking artwork and vibrant inking. A solid 3.5 that can improve

Guillermo Del Toro & ‘Chuck Hogan’s The Strain was next. I had looked forward to this as I am a fan of his films. However it’s David Lapham & Mike Huddleston’s comic work which makes this enjoyable.
The story starts in 1927 Romania with a Mother scaring her Son with a ‘old wives tale’ about a giant who went out to the forest in a group, and although he was the only one to return, he soon locked himself away before children started to die tragically. 
The story then moves to present day with Dr Ephraim Goodweather spending some rare time with his son Jack before receiving a business call. A plane has landed at J.F.K before going silent and leading security to believe there is a security threat. Once aboard there are no survivors other than the pilot, all that remains is an old and sculptured coffin. The last page shows an elderly gentlemen watching the news, his final line closes the comic ‘He is here!’ Great starting point 4/5

I had never heard of the Hauser & Wirth Gallery previous, however following a recommendation I went to see Paul McCarthy’s new, and shocking as ever exhibition.

The total exhibition spans three locations from Savile Row, Picadilly & St James’s Square. First of all was the Picadilly Gallery to see his work ‘The King’. McCarthy is famous for his installations, with The King he does not disappoint. The main hall consists of a huge platform surrounded by large airbrushed paintingS, while a live sized naked McCarthy made from latex. He body with severed limbs (in a blond wig), he sits with his eyes closed in front of a church like pew for the viewer to see his throne and ‘elevated’ status.

20111204-215837.jpg

There were other pieces within the gallery of note however, his ‘Pig Island’. A hard-hitting view ‘of a morally deviant world populated by pirates, cowboys, the likenesses of George W.Bush and Angelina Jolie, Disney characters and the artist himself, all carousing in a state of wild and reckless abandon’*

One part of this exhibition is the truly disturbing ‘Train, Mechanical’. A mechanical sculpture of two figures resembling Bush sodomise two pigs. Both have set movements including the rhythmic penetration action, however when approached their heads and eyes follow the viewer across the room.

20111204-224703.jpg

I also managed to sneak a picture (bad eticate I know), of McCarthy’s work Paula Jones

20111204-225416.jpg

I can’t say I really understand the meaning behind all the work, however I can appreciate the strength of the work and the impact McCarthy is making.

*Direct quote from the official press release.